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The short answer is, being a full-time educator isn’t for everyone. Between planning, scheduling, curriculum preparation, marketing, personal interaction with students, and of course hustling to make it financially worthwhile, most photographers give up the idea after just a couple of attempts at workshops. The allure of the extra income is the main driving force, of course, but what happens is, most photographers who try giving classes realize very quickly that it’s fairly difficult. I’ve always said that the most tempting thing to do after you’ve become a reasonably established photographer is to give workshops or classes. Why is teaching photography so important to you? So while the education circuit keeps me extremely busy, I have freedom as an artist to shoot almost exclusively what I am motivated to shoot, and not much else.
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This allows me to freely shoot what I want to shoot, what I am inspired by, whenever I set out to plan a project.
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Since then, I have hosted over 200 photography events in over 50 cities around the country, allowing me to make a living off of being an educator. It was this decision that ended up making the biggest difference in my career. Needing to once again make up for the shift in business, I started workshops in August of 2012. Luckily, I was still shooting glamour pretty steadily (by this time it wasn’t totally crappy) and requests came in asking if I give workshops on the subject. Once again, however, shifts in industry priorities ended up causing me to be dropped by the main automotive clients that had kept me so busy for most of 2012.
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In 2012, I shot over 200 cars and assumed my career was now going to be in automotive. So, basically, I went into photography for the sole purpose of trying to build a new business because my existing one was basically about to shut down.Īfter a couple of years of figuring stuff out, doing a lot of really crappy shoots because I had no idea what I was doing, I ended up in the automotive photography world, of all things. This meant that while I was not hugely experienced in a shooting, I did grow up around it, so I wasn’t starting from a totally blank slate. As a veteran graphics designer and small business owner since the 90’s, I saw the way that industry and the economy were shifting in 2008, and I decided it was time to change industries! Luckily, my father was, and still is, a full-time photographer. How did you become a glamour and retouching educator?Ī kind of interesting story, I think. In this interview, we had a chance to connect with Nino via email and to ask him a few questions. If you would like to know more about him, you can always visit his website here. He has worked with Fstoppers since 2014 and he is currently their Senior Writer. From a photographer to one of the famous trainers in the industry, he has taught photography and retouching in many cities. Having the ability to be a master at what he does best, he has also been able to share his own retouching secrets. He is not only one of today’s best glamour photographers but he is also known for his retouching skills. Nino is an editorial glamour and exotic automotive photographer in the United States. If you haven’t heard of Nino Batista before, I am sure that you would have seen some of his breathtaking images on lifestyles and men’s publications.